Dresden and Vonnegut's Creative Testament of Guilt

Abstract

Journal of American CultureVolume 4, Issue 4 p. 55-69 Dresden and Vonnegut's Creative Testament of Guilt Leon F. Seltzer, Leon F. Seltzer Specialist in American fiction, taught at Queens College, CUNY, for three years and at Cleveland State University—where the present article was supported by a Senior Research Grant—for eight years. In spring 1978, Dr. Seltzer resigned his tenureto pursue a second Ph. D., and a new career, in clinical psychology at the University of Cincinnati. His literary-critical publications include The Vision of Melville and Conrad (1970), and articles on Melville, Conrad, Dreiser, Hemingway, Faulkner (2), and Heller.Search for more papers by this author Leon F. Seltzer, Leon F. Seltzer Specialist in American fiction, taught at Queens College, CUNY, for three years and at Cleveland State University—where the present article was supported by a Senior Research Grant—for eight years. In spring 1978, Dr. Seltzer resigned his tenureto pursue a second Ph. D., and a new career, in clinical psychology at the University of Cincinnati. His literary-critical publications include The Vision of Melville and Conrad (1970), and articles on Melville, Conrad, Dreiser, Hemingway, Faulkner (2), and Heller.Search for more papers by this author First published: Winter 1981 https://doi.org/10.1111/j.1542-734X.1981.0404_55.xAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Volume4, Issue4Winter 1981Pages 55-69 RelatedInformation