Abstract

AbstractThis essay argues that translation, next to other kinds of language ferrying, can be profitably seen as remedial work. To make this point, I discuss five attempts at poetising ‘Cydalise’, a chimera dreamed into being by Théophile Gautier (1811–1872). After introducing it, I investigate three of Gautier's failed textualisations of this chimera and the resulting early tokens of literary chinoiserie and literary pastel. I then explore the disfigurations Cydalise suffers at the hands of Romanian writer Vasile Alecsandri (1821–1890) as he appropriates, refashions and explodes chinoiserie (and distorts pastel) in his endeavour to capture Gautier's ‘dream in its reality’. I next trace the translatorial moves Chinese poet Shao Xunmei (1906–1968) enacts finally to transport Cydalise into text, as he also pays discreet homage to the powers of translation. I conclude by giving firmer contours to the hypertextual landscape I imagine, which equally welcomes originals, translations and everything in between.

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