Drawn to sound: animation film music and sonicity

Abstract

INTRODUCTION: Audio Motion: Animating (Film) Sound Studies Rebecca Coyle PART I: SCORING ANIMATION FILM Janet K Halfyard, Birmingham Conservatoire Everybody scream!A Tim Burton's Animated Gothic-Horror Musical-Comedies Paul Wells, Loughborough University Halas And Batchelor's Sound Decisions: Musical Approaches in the British Context Kyoko Koizumi An Animated Partnership: Joe Hisaishi's Musical Contributions to Hayao Miyazaki's Films Scott Murphy The Tritone Within: Interpreting Harmony in Elliot Goldenthal's Score for Final Fantasy: The Spirits Within PART II: MUSICAL INTERTEXTUALITY Ian Inglis, Northumbria University Something Old, Something New, Something Borrowed - Something Blue: The Beatles' Yellow Submarine Philip Hayward, Macquarie University Polar Grooves: Dance, Music and Musicality in Happy Feet Neil Lerner Things Are Never Black as They Are PaintedA: Minstrelsy and Musical Framing in Who Framed Roger Rabbit? Janice Esther Tulk, Memorial University of Newfoundland An Aesthetic of Ambiguity: Musical Representation of Indigenous Peoples in Disney's Brother Bear PART III: MUSIC AND SONICITY Daniel Goldmark, Case Western Reserve University Sonic Nostalgia and Les Triplettes de Belleville Jon Fitzgerald, Southern Cross University, and Philip Hayward Resilient Appliances: Music, Sound, Image and Narrative in The Brave Little Toaster Kentaro Imada Lupin III and the Gekiban Approach: Western-Styled Music in a Japanese Format PART 4: MUSIC AND INDUSTRIAL CONTEXTS Rebecca Coyle & Peter Morris DreamWorking Wallace & Gromit: Creating the Music Track for The Curse of the Were-Rabbit Aki Yamasaki, Osaka University Cowboy Bebop: Corporate Strategies for Animation Music Products in Japan. Rebecca Coyle & Jon Fitzgerald Disney Does Broadway: Musical Storytelling in The Little Mermaid and The Lion King