Abstract

This article reports on a philosophy for children (P4C) literacy project in a South African foundation phase classroom that introduces an important new focus in the P4C classroom: the visualisation of philosophical ideas provoked by the picture book The Big Ugly Monster and the Little Stone Rabbit (2004) by Chris Wormell, giving voice to young children’s own imaginative ideas and beliefs (in this case about death). This research shows how a particular use of the community of philosophical enquiry pedagogy combined with the making of drawings necessitates a rethinking of what ‘voice’ means. We conclude that the children’s drawings bring something new into existence, thereby offering unique material and discursive opportunities for all children, including those who otherwise might not have expressed their ideas.Keywords: Comprehension; emergent literacy; visual research; community of enquiry; philosophy with children; picturebooks; death; voice; inclusion; participation

Highlights

  • We report on an early literacy research project that focused on how young children respond philosophically1 – not artistically, or psychologically2 – to a carefully selected picture book

  • Part of the aim of Robyn’s research was to find evidence for our initial hypothesis that making drawings in the P4C classroom can offer unique opportunities for children to show their teachers that through drawing they can read texts philosophically, and that they can speak with their own voice through the thinking with others about philosophical topics such as death and what happens when people die

  • What surprised us was the power of the community of enquiry pedagogy through the drawing activities to include some, otherwise more reticent children, to contribute, and noticed how the pedagogy necessitated a fresh way of thinking about voice in visual research

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Summary

Introduction

We report on an early literacy research project that focused on how young children respond philosophically1 – not artistically, or psychologically2 – to a carefully selected picture book. Children think together and construct new meanings, for example, in a literacy lesson they generate and explore their own questions when reading a picture book together – aided by the teacher as guide and co-enquirer These picture books are carefully chosen to provoke puzzlement and the deliberative semiotic ‘gap’ between word and image (Nikolajeva & Scott 2000), inviting young readers to engage in a range of embodied activities, such as giving reasons, expressing opinions, agreeing and disagreeing with peers and constructing their own arguments – thinking about activities that are key to comprehension (Haynes & Murris 2012). This Socratic approach to teaching and learning draws on the imaginative thinking of both teacher and child, as neither knows the answer to the philosophical questions the children develop together

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