Abstract
Abstract This article interrogates the multiple roles Guy Delisle plays – author, narrator and commentator – all at once in his visual narratives: Shenzhen: A Travelogue from China (2006b), Pyongyang: A Journey in North Korea (2007b) and Burma Chronicles (2008). It examines how Delisle represents his interaction with foreign lands and people as well as the negative and positive impression left by travel through his first-person narrator, a troubled artist abroad. In particular, this article discusses three aspects of Delisle’s travelogues: personal perspective, non-linear narrative structure, and the artist’s visual reflection of his trips to China, North Korea and Burma during and after the travel. Combining textual narrative with visual representation in the form of comics, Delisle’s books introduce a new dimension to travel writing.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
