Dramatic Frame and Philosophic Idea in Plato

Abstract

Dramatic Frame and Philosophic Idea in Plato William A. Johnson In a minority of plato's dialogues the central philosophic discourse is presented indirectly, refracted through the lens of a dramatic frame of more or less complexity.1 Scholars typically divorce the question of the dramatic frame from the philosophy of the dialogues: the frame is often simply set to one side by analytic philosophers, and tends to be considered in terms of characterization, narrative technique, intratextual associations and the like by students of the "literary Plato."2 I here consider the four dialogues that mark Plato's most ambitious experiments in construction of a complex narrative frame: Phaedo, Symposium, Parmenides, and Theaetetus. By focusing on the effect that the indirect narration has on the reader, I construct a view of these narrative experiments that puts them together with the philosophic program of the dialogues. Baldly stated: I argue that the elaborate indirectness of the dramatic frame means to reflect, and to make vivid for the reader, not only the remove between written representation and the doing of philosophy, but also the remove between perceptible and Ideal world as suggested in Plato's vision of the Ideas. Phaedo At the beginning of Plato's Phaedo, Echecrates asks Phaedo to tell him about the last hours of Socrates' life. He points out, "None of the people in Phlius go to Athens much these days, and it is a long time since we had any visitor from there who could give us any definite information, except that he was executed by drinking hemlock" (57a–b).3 The reader thereby comes to realize: (1) the conversation is situated in Phlius, a somewhat remote town on the Peloponnesus far from Athens (and far from anyone who might be able to correct or verify Phaedo's account); (2) since "no Phliasian goes to Athens much these days" and "it is a long time since we had any visitor from Athens who could give us any definite information," Phaedo's arrival in Phlius comes at a significant temporal distance from Socrates' death; (3) on the same grounds, the reader is led to wonder how long a time might have lapsed between this conversation and its report to Plato back in Athens (if indeed this is based on a report, on which see below); (4) on the other hand, Phaedo, as an intimate of Socrates, is presumed to be able to provide "definite information" (σαφές τι). Echecrates goes on to ask Phaedo to "be kind enough to give us a really detailed account" (σαφέστατα, 58d2) of Socrates' last day. When Phaedo says that he is willing, Echecrates urges again: "Now try to describe every detail as carefully as you can" (, 58d8). The bulk of Phaedo will be this account, told by Phaedo to Echecrates. The desire for accurate detail is emphasized. But Echecrates' insistence on accuracy sits uneasily with the spatial and temporal remove introduced at the beginning. How accurate, really, is Phaedo's account? The answer to this question—is the account accurate?—is, however, not at issue here. What is more interesting, or at least what interests me, is the fact that the dramatic frame seems designed to bring such questions into play. Bald historical questions (Did Socrates really say that? How does Plato know? Is Phaedo's memory accurate?) may seem unsophisticated, but they are natural questions for the reader to pose—as generations of readers and commentators attest. The questions are natural only in the sense that the text is constructed so as to prompt [End Page 578] them. Questions of historicity arise almost inevitably from the tension in the dramatic frame between, on the one hand, the repeated emphasis on the desire for accuracy, and, on the other hand, the strained relationship—elaborately indirect and distant both spatially and temporally—between the words of the text and the words of Socrates. A further, telling detail appears directly before Phaedo's narrative begins. In response to a question by Echecrates, Phaedo lists the friends of Socrates who were present. In the course of this list, Phaedo famously remarks, "I believe that Plato was ill" or perhaps better (Jowett) "but Plato, if I am not mistaken, was...