Abstract
The article is a response to the proposal to create a space for discourse on the dramatic dimensions of contemporary humanities. Dramaturgy, creativity and transgression are notions in the master discourse of three women Nobel Prize winners. The basis for the text is the issues contained in the speeches given by these Nobel Prize-winning authors. The intersubjective discourse around humanistic concerns about the changes in the present regards the limits of creation, the process of creative transgressions in designing the world and the potential in the space of sense-creating experiences. It shows a vision of a human who “thinks through creativity, sees the world differently”. Transgressive activity allows us to transform reality, and going beyond the boundaries is like successive acts of creating, or at least the creation of the world.
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