Abstract
SUMMARYThe mid 1990s saw an explosion of Drag Kings in many major and smaller cities throughout the world. While documentation of this has largely occurred through publications in the USA and UK, the Internet and smaller publications have demonstrated a phenomenon that has arguably re-ignited feminist debate. In Adelaide, Australia, Ben Dover and His Beautiful Boys set the annual lesbian and gay festival alight. This chapter describes this performance to set the stage for exploration of some of the workings of ‘race’ and ethnicity in the creation of persona, choice of name and naming that is brought to Drag King performance. Drawing on interview material the chapter suggests that just as Drag Kings and kinging has been a useful and provocative site for closer and deeper understandings of genders, bodies and sexualities, Drag Kings and Kinging may also provide a useful site for unraveling some of the minefield that is race and racism.
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