Abstract
With its point of departure in a box containing Anita Corbin's 1981 travelling exhibition “Visible Girls”, this text unveils an art/research/teaching project, with the aim of creating a counter-archive of current youth culture. It describes an artist's engagement with archival practices and the way this presents opportunities to develop personal everyday histories that cross online–offline spaces that work as counter-memory narratives; narratives that are counter to academic, media and state accounts of youth culture as shaped by institutional agendas and moral panics. To locate the archive within the framework of counter-memory and counter-archival practices in this way is to work towards visibility.
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