Abstract
The philosopher Martin Heidegger and the architect Le Corbusier — two towering 20th-century public figures — each built for themselves small, sturdily crafted timber cabins well away from the cities of their busy everyday lives, to which they would repair annually to work in solitude and draw sustenance from their landscapes and locally archaic cultures. This article presents a close tandem reading of the architecture and inhabitation of Heidegger’s staunchly traditional Hutte on the upper slope of a deep-green Schwarzwald valley and Le Corbusier’s modern-ascetic Cabanon overlooking the beckoning azure waters of the Cote d’Azur. It draws on archival drawings and photographs, published and private statements, writings by others, and direct personal observations made in situ. These two unassuming yet inordinately significant dwellings seek to counter the overwhelming modern condition of ‘technicity’ by descending to the chthonic claims of the natural conditions, in alliance with Heidegger’s post-war essays co-locating building and dwelling, and Le Corbusier’s Le poeme de l’angle droit that indexes a descent down to the question of dwelling, essentially.
Highlights
They have rarely been considered together, the philosopher Martin Heidegger and the architect Le Corbusier — two towering 20th-century public figures — shared both universal thematic preoccupations and concrete post-war historical circumstances
The corrective to this disenchantment involved a return to beginnings — more ontological than historical — which meant descent down to the most primordial chthonic claims of the natural conditions of earth and matter in landscapes pregnant with meaning
The drawings are not vehicles for illustrating the critical analysis; to a large extent they are the medium in which it was conducted. In both their dwellings and their writings, Heidegger and Le Corbusier expressed concern for what I have termed the descending-ascending play of communication between embodiment and articulation, which can be well understood with reference to a geometric figure that brings the theme to the level of abstract visual representation, and which will be a touchstone in this study
Summary
They have rarely been considered together, the philosopher Martin Heidegger and the architect Le Corbusier — two towering 20th-century public figures — shared both universal thematic preoccupations and concrete post-war historical circumstances.
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