Abstract
Besides his seminal writing on minimalist and conceptual art in the 1960s and onwards until his death in 2019, Douglas Crimp was an important voice for AIDS victims, and for the US and international gay movement in general. Disss-co (A Fragment), an unfinished essay on the New York disco scene in the 1960s and 70s has a particular role in his œuvre. Written in 1975-76 and published with additional comments in 2008, Crimp recounts the experience of being intimately caught with text in progress...
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