Abstract

<p>Friedrich Nietzsche’s treatise “Die Geburt der Tragödie aus dem Geiste der Musik” (1872) has, with the symbolist poet and critic Vyacheslav Ivanov as an important intermediary, exerted a strong influence on Dostoevsky scholarship which can be traced up to this day. The present short paper discusses some aspects of this tradition of interpretation.</p>

Highlights

  • I More than two thousand years separate the types of literature indicated in the heading, but a connection between them cannot be excluded – at least not because of all these years

  • Greek tragedies – and Russian novels? The fact is that Fyodor Dostoevsky (1821– 1881) as distinct from the two other famous Russian romancers of his time – Ivan Turgenev and Lev Tolstoy – never wrote a single play

  • In Germany he had had the opportunity to become familiar with the works of Nietzsche, who made a strong impact upon him, without making Ivanov a true disciple, for Nietzsche’s markedly antichristian attitude was unacceptable for this Russian religious thinker

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Summary

Introduction

I More than two thousand years separate the types of literature indicated in the heading, but a connection between them cannot be excluded – at least not because of all these years. Dostoevsky’s novels as classic tragedies philosophical systems which had held sway of Russian intellectual life – though not so much affecting the great writers – quite suddenly lost their grip on the “creative intelligentia.” Writers, poets, composers, painters – all were looking for new foundations for their thoughts and lives.

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