Abstract
Abstract We argue that such trends of modern philosophy as philosophical anthropology, hermeneutics and phenomenology in their ideological origins were born in Russian philosophizing, so that the ideas and images of Dostoevsky’s works have been revealed as their harbinger. More specifically, he supplemented the categorical apparatus of philosophy with the concept of mystery, foreseeing the specifics of descriptive language, which has become relevant to the specifics of modern philosophical and anthropological discoveries and socio-ontological constructions. In addition, we consider the phenomenon of unhappy consciousness found in Notes from the Underground and make an assumption about intersubjective (pluralistic) idealism – an original metaphysical conception, within the framework of which the definition of man as a mystery can be explained.
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