Abstract
In this article, Maxim D. Shrayer offers a new perspective on Fedor Dostoevskii’s writings about the Jews. Following a trajectory initiated by Vladimir Solov'ev and Leonid Grossman, Shrayer argues that for Dostoevskii the Jewish question is primarily religious, rather than social or ethnic. Through close textual analysis, but also by placing the controversial blood libel episode fromThe Brothers Karamazovin the larger context of Dostoevskii’s fictional and discursive works, Shrayer links the anti-Semitic charges of ritual murder and host profanation with the story of Captain Snegirev and his son Iliusha. In the story of the Snegirevs, Shrayer identifies Dostoevskii’s keen understanding of (religious) intolerance and scapegoating. Shrayer demonstrates that the conclusion ofThe Brothers Karamazov(Iliusha Snegirev’s funeral) recalls “The Funeral of ‘The Universal Man’” from the March 1877 issue ofThe Diary of a Writerand thus points to Dostoevskii’s view of the Christian-Judaic reconciliation.
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