Abstract
A fter several bilious articles devoted to Jewish Question in The Diary of a Writer (March 1877),' Dostoevskii imagines an almost utopian reconciliation of Christians and Jews inspired by a story of a Protestant German doctor named Hindenburg (Gindenburg), who devoted his entire career to helping the poor of all ethnic and religious groups. Sensing that the journalistic word is insufficient to convey the necessary picture (Dostoevskii actually has the concept of a painting in mind), he provides the reader with the image (obraz) of the doctor himself, who, he writes, is perhaps the truest answer to the Jewish question.
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