Abstract

Viewing Black pain for pleasure and entertainment has not only been held in high regard from the inception of this country but has also recently been infused into communal consumption of Black death on social media. This malevolently charged discursive reality makes the creation of safe embodied religious space a persistent challenge for Black women and men of faith. However, technology also serves as an aid to push forth subversive and supportive digital communities and congregations. Here, the Beloved Community is transformed, and collective liberation again becomes a theological imperative. In this article, I analyze the Pink Robe Chronicles as a digital hush harbor. Considering this space as a womanist rhetorical imaginary that redefines kinship and renegotiates discursive boundaries, I explore how its curator hallowedly holds the precarity of Black pain and juxtaposes it with the power and promise of a deliberately Afrocentric ethic to speak wholeness to those connected by its teleological imperative.

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