Abstract
Domra’s sonorous possibilities in the pieces by O. Oliinyk
Highlights
Domra expressive means today are meager than many other instruments
The gradation of the figurative state ranges from light sound shimmering to expressive disconcertingly sonorous sounds in a dense texture
The second part contrasts with the first transparent texture, large rhythmics and sustained pedals, which are aimed at embodying a meditative-contemplative image
Summary
Domra expressive means today are meager than many other instruments. This is due to the fact that domra is a relatively young instrument in the academic environment, which is why it is limited by the variety of performing techniques. Oliinyk, which trace the features of sonority, in particular “Shimmering sound” (1996) and “Chimes” (1984) for domra solo. Oliinyk is a bright domra player, well-versed in the capabilities of the instrument, and actively fills the coffers of domra repertoire with own pieces and arrangements, researchers of domra modern art almost do not pay attention to him in their writings. While the author does not bring to light the effect of sonorics on the specifics of interpretation of the instrument
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