Abstract
AbstractThis article grows out of the conviction that (some) films can philosophise. It looks to juxtapose the filmDogtoothand Wittgenstein's builders' example, such that they are seen as philosophising in similar ways over similar issues. Both strike me as probing the possibility—or denial—of a future with language. Using Stanley Cavell and Rush Rhees' responses to Wittgenstein's builders, I register the significance and meaning of themes from the film and Wittgenstein's work in a mutually enlightening way: language, games and breaking free. This results in two different pictures of our hope of a future in and with language.
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