Abstract

Loudness is the magnitude of the auditory sensation that a listener experiences when exposed to a sound. Several sound attributes are reported to affect loudness, such as the sound pressure level at the listener's ears and the spectral content. In addition to these physical attributes of the stimulus, some subjective attributes also appear to affect loudness. When presented with a sound, a listener interacts with an auditory object and can focus on several aspects of the latter. Loudness appears to differ depending on how listeners apprehend this object, notably whether they focus on the sound that reaches their ears or that is produced by the source. The way listeners focus on the auditory object may depend on the stimulus itself. For instance, they might be more likely to focus on the sound emitted by the source if the latter is visible. The instructions given by the experimenters can also explicitly direct the listener's focus on the sound reaching the ears or emitted by the source. The present review aims at understanding how listeners focus on the auditory object depending on the stimuli and instructions they are provided with, and to describe how loudness depends on this focus.

Highlights

  • According to Florentine (2011, pp. 4–5), loudness is the perceptual strength of a sound that ranges from very soft to very loud

  • By comparing the results found in the literature with different instructions and stimuli, this paper aims at understanding on what listeners focus when assessing loudness and how this focus affects their judgments

  • The results showed a weaker dependence of the loudness on the at-ear sound pressure level for speech than for noises and pure tones

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Summary

Introduction

According to Florentine (2011, pp. 4–5), loudness is the perceptual strength of a sound that ranges from very soft (or quiet) to very loud. Loudness is known to depend on multiple factors such as the at-ear sound pressure level and the spectral content of the sound. The higher the sound pressure level is at the listener’s ears, the greater its loudness generally is Stevens (1957). There is no absolute loudness value for a given sound. Its assessment might vary from one listener to another, or even for the same listener during two different presentations of the sound (Algom and Marks, 1984) and depending on their mood (Siegel and Stefanucci, 2011). Loudness can be estimated through models that analyze the physical properties of sounds in order to determine their typical loudness, i.e., the loudness value that would generally match the loudness values reported by a large group of human listeners (see Sivonen and Ellermeier, 2008; Moore, 2014, for examples of loudness models)

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