Abstract
The present communication proposal is the result of an empirical research developed during the recording of the documentary “Ouro de Minas: a look at Luso-African-Brazilian cultural hybridity”, which addresses the tourist path from Belo Horizonte to Tiradentes, as a mediation proposal between the colonial past and contemporary social constructions. Therefore, the present article will seek to construct its own theory, multidisciplinary, hybrid and, therefore, legitimate representative of Cultural Studies, to propose a concept of digital image that is credible in the face of the contemporary challenge of a fragmentary, liquid and, above all, cultural reality. guided by network flows.
Highlights
The present communication proposal is the result of an empirical research developed during the recording
propose a concept of digital image that is credible in the face of the contemporary challenge
Pode-se propor uma teoria sobre o funcionamento do individualismo e da coletividade no ambiente virtual, pois o sujeito que se encontra multiplicado em bancos de dados através de combinações de O ou 1, dissolvido e rematerializado em pontos diversos da rede é um sujeito transformado em luz, sendo que as telas são a forma como a coletividade existencial e o corpo digital podem ser experimentados e socialmente representados
Summary
The present communication proposal is the result of an empirical research developed during the recording of the documentary “Ouro de Minas: a look at LusoAfrican-Brazilian cultural hybridity”, which addresses the tourist path from Belo Horizonte to Tiradentes, as a mediation proposal between the colonial past and contemporary social constructions. Tal fato não se deu por uma evolução cultural ou filosófica, mas sim como um dispositivo de repressão, pois percebeu-se o potencial das imagens para ser a “escrita dos iletrados”.
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