Abstract
Abstract. The present paper illustrates the documentation activities developed since 2013 on Upper Kama territories, preliminary to an extensive and joint research action within the European project “PROMETHEUS” (2019–2021), which aims to produce digitized databases and models for the management of the main religious monuments present on this Russian area, nowadays endangered by risk of conservation. The project is funded by the EU program Horizon 2020 – R&I – RISE – Research & Innovation Staff Exchange Marie Skłodowska-Curie, and it is aimed at the definition of inter-sectoral collaboration protocols for the development and promotion of a new methodology for the development of reliable 3D databases and models of monumental complexes in Upper Kama region. The project, that involves the collaboration between three Universities (University of Pavia, Italy, Polytechnic University of Valencia, Spain, Perm National Research Polytechnic University, Russia) and two enterprises (EBIME, Spain, SISMA, Italy), aims to promote actions to develop interdisciplinary activities for the documentation, management and production of collaborative H-BIM models, for the start-up of monitoring and development activities on this specific Cultural Heritage. Researches and initiatives conducted in the previous years on Upper Kama territory highlight potentialities and opportunities of digital survey to define a basis of knowledge that is both scientific and technical, for future interventions on endangered architectural heritage, where academies, companies and administrations promote actions to develop interdisciplinary documentation activities through collaborative management H-BIM models and an intervention protocol on Cultural Heritage.
Highlights
INTRODUCTIONThe fires and invasions of all preceding epochs were no more destructive for our monuments of antiquity than the indifference to our native past that reigned during the past two centuries
The fires and invasions of all preceding epochs were no more destructive for our monuments of antiquity than the indifference to our native past that reigned during the past two centuries.(Boris von Eding, 1913)Analysing the documentative production, in a specific historical period and in a specific territory, concerning its historical architectural heritage, it is possible to understand the sociocultural attitudes related to its conservation and promotion
The objective, starting from the experimentation of Upper Kama, is to establish a dynamic methodological protocol that can be replicated in Europe, developing an active but standardized approach to the “digitized planning” of Cultural Heritage Routes
Summary
The fires and invasions of all preceding epochs were no more destructive for our monuments of antiquity than the indifference to our native past that reigned during the past two centuries. It has been highlighted how the critical drawing, both 2D and 3D, defines a documentative contribution but a starting cognitive support, on which to dispose and integrate necessary multidisciplinary contents that can range on the entirety of Cultural Heritage knowledge, in a technological, planning and administrative nature These considerations have encouraged, both methodologically and contextually, the structuring of a broader project idea, aimed at defining inter-sectoral collaboration protocols for the development and promotion of reliable 3D Information Models Libraries on architectural heritage. The objective, starting from the experimentation of Upper Kama, is to establish a dynamic methodological protocol that can be replicated in Europe, developing an active but standardized approach to the “digitized planning” of Cultural Heritage Routes
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