Abstract
As part of a current research on the relation between discourse and ideology in the post-Soviet era, the novel ‘Doctor Zhivago’ and its TV mini-series adaptation are subjected to a comparative analysis. The present paper focuses on the concept of change, which runs through the original narration as a new view of the social world. This conception of change is visualized through concrete cinematic tools in a way that codifies into images the ideological dimension of its current perception.
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