Abstract
The text analyses the description of Miramar in the discourses of literature and history. First, it makes a comparative reading of the reconstruction of the palace in Fernando del Paso’s and David Miklos’ texts. Then, with the castello as a middle point between literature and history, it analyses the romantic final that Miklos creates for the emperor and his castle and Del Paso’s swing between literary evocation and historical reflection, according to the Aristotelian of the making of the poet and the historian.
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