Abstract
A diff erent actor for each gesture.Th e ontology of objects in Bruno Schulz’s Street of Crocodiles and the fi lms of the Quay brothers Humanism deprived things of the attention they undoubtedly deserve. An anthropocentric way of perceiving the world dominated most movements in contemporary philosophy and classified them as incapacitated products of human practices. Until now object-oriented ontology has focussed predominantly on literature, but it also creates whole new possibilities for film theorists, forcing viewers to change prevailing formulae.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of European Film, Performing Arts and Audiovisual Communication
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
