Abstract

The article deals with metaphysical aspects of dystopian vision of posthuman and racist socjety presented in Kazuo Ishiguro’s novel Never Let Me Go and its film adaptation. The controversial issue of cloning provokes fundamental questions of what constitutes our existence as human beings and what is the source of overpowering sense of solitude and orphanhood in the “fatherless” world. These questions are being answered in the context of biopolitics (Foucault, Habermas) and its ethical consequences. The paper is intended as a contribution to the ongoing discussion of the human condition and our relation to other beings: machines, animals and… clones.

Highlights

  • The article deals with metaphysical aspects of dystopian vision of posthuman and racist society presented in Kazuo Ishiguro’s novel Never Let Me Go and its film adaptation

  • The controversial issue of cloning provokes fundamental questions of what constitutes our existence as human beings and what is the source of overpowering sense of solitude and orphanhood in the “fatherless” world

  • These questions are being answered in the context of biopolitics (Foucault, Habermas) and its ethical consequences

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Summary

Introduction

The article deals with metaphysical aspects of dystopian vision of posthuman and racist society presented in Kazuo Ishiguro’s novel Never Let Me Go and its film adaptation. W książce Ishiguro klony to dla ludzi wyłącznie użyteczne przedmioty – pozbawione duszy ciała, których celem jest donacja organów. Zdaniem Charlesa Taylora pojmowanie własnego życia jako opowieści nie jest, podobnie jak orientacja wobec dobra, naddatkiem, z którego można zrezygnować; że nasze życie również znajduje się w owej przestrzeni pytań, na które odpowiedzią może by tylko spójna narracja.

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