Abstract

Abstract Regional cities are usually not widely known for their music scenes and live music spaces. In the historical context of DIY music scenes and youth cultures, communities are bounded by larger metropolitan areas and cities. However, this scene report will analyse a series of thoughts and interviews in discussing some of the important aspects of production in smaller DIY music scenes. This case study focuses on the medium-sized cities of Exeter and Plymouth in Devon, in the southwest of England. In examining some of the cultural identities, challenges and expressions of self-organization from labels, magazines and musicians, it reveals how alternative micro-scenes are forged through DIY practices within smaller communities.

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