Abstract

The development of the Azilian in Western Europe 14,000 years ago is considered a “revolution” in Upper Paleolithic Archaeology. One of the main elements of this rapid social restructuring is the abandonment of naturalistic figurative art on portable pieces or on cave walls in the Magdalenian in favor of abstract expression on small pebbles. Recent work shows that the transformation of human societies between the Magdalenian and the Azilian was more gradual. The discovery of a new Early Azilian site with decorated stones in France supports this hypothesis. While major changes in stone tool technology between the Magdalenian and Azilian clearly mark important adaptive changes, the discovery of 45 engraved schist tablets from archaeological layers at Le Rocher de l’Impératrice attests to iconographic continuity together with special valorization of aurochs as shown by a “shining” bull depiction. This evidence suggests that some cultural features such as iconography may lag far behind technological changes. We also argue that eventual change in symbolic expression, which includes the later disappearance of figurative art, provides new insight into the probable restructuring of the societies.

Highlights

  • The Azilian is a culture of the European Upper Paleolithic

  • Early Azilian (EA) sites are scarce in Western Europe and so the lithic assemblage discovered at Le Rocher de l’Imperatrice is a new milestone in the perspective of understanding the shifts in technology between the Magdalenian and the Late Azilian (LA)

  • Even if most of these artifacts were discovered in the disturbed unit of the shelter, the entire corpus of engraved tablets can reasonably be attributed to the Early Azilian

Read more

Summary

Introduction

The Azilian is a culture of the European Upper Paleolithic It appears at the end of the Magdalenian around 14,000 years ago and precedes the first Mesolithic hunter-gatherers in the early Holocene. This period is critical to the study of cultural evolution as it is characterized by a major restructuring of hunter-gatherer societies in terms of technology (a decrease in stone and bone tool standardization and a simplification of manufacturing processes), settlement (with changes in mobility patterns), and art, with the development of a unique abstract graphic. This is not a grant but a funding for Archaeology from the Ministry of Culture of France.

Methods
Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call