Distrust of the intellectual, typical of British art circles, and other factors of British theatrical life, has led to the assumption by many that to ‘think’ about performing will inhibit the ‘feeling’ necessary to the creative act. To cap it all, of course, Brecht actually set himself against naturalism as a style or intent, and thus (or so many practitioners

doi:10.4324/9780203129838-10

Distrust of the intellectual, typical of British art circles, and other factors of British theatrical life, has led to the assumption by many that to ‘think’ about performing will inhibit the ‘feeling’ necessary to the creative act. To cap it all, of course, Brecht actually set himself against naturalism as a style or intent, and thus (or so many practitioners

https://doi.org/10.4324/9780203129838-10

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Publication Date: Aug 27, 2002

#Epic Form #Theatrical Style + Show 8 more

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Abstract

distrust of the intellectual, typical of British art circles, and other factors of British theatrical life, has led to the assumption by many that to ‘think’ about performing will inhibit the ‘feeling’ necessary to the creative act. To cap it all, of course, Brecht actually set himself against naturalism as a style or intent, and thus (or so many practitioners

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