Abstract
This article addresses the chapter in A Thousand Plateaus, “Year Zero: Faciality,” by examining Deleuze and Guattari’s proposal to “dismantle” the abstract machine that is responsible for producing the subject’s collective or group face. After examining the components of the abstract machine, including its relationship to visual perception and emotion from the perspective of American Ego Psychology, a comparison is drawn between faciality and Walter Benjamin’s earlier thesis of the reproducibility of certain kinds of images in a technological or modern media society. The article concludes by outlining the three-step program of “schizoanalysis” that Deleuze and Guattari proposed as the political objective of “dismantling the face.”
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