Abstract
The 16thcentury Franciscan preacher Alfonso de Castro writes a set of twenty-five homilies dedicated to Psalm 50. In its composition, periods of discourse that are specific to the author are mixed in a continuous and masterly manner along with others of the same and of different origin. In this article we address the presence of this foreign discourse by virtue of two specific needs: firstly, to review and update a previous typological proposal and, secondly, to delve into the distribution of such periods throughout the sermons as well as in the mechanisms used by the author when inserting them between his own words
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