Abstract

This study investigates the discrimination of small changes of interval size in short sequences of musical tones. Major, minor and neutral thirds were varied in increments of 15 cents. The nine subjects had varying degrees of amateur musical experience-their level of musical training was lower than that of professional musicians. In some experiments the stimuli were presented purely melodically and in others they were presented together with a sustained tone at a higher pitch. Some subjects were able to make use of the additional cues from beats in the latter case. Category widths for identification were measured at around 70 cents and just-noticeable differences in frequency were measured at around 10 cents. Little significant variation of inter-stimulus sensitivity index d' was observed across the stimulus sets, i.e., there was little evidence for "anchors" or "landmarks" within the range of tunings employed. However, for major thirds, discrimination of the 15 cent increment between 400 and 415 cents was reduced compared to discrimination of other 15 cent increments within the stimulus sets.

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