Abstract

In the present essay I employ archetypal criticism to explore the mythological subtext of Valerii Shevchuk’s novella Hunchback Zoya. I argue that the theme of initiation of the male characters—congruous with the theme of healing repeatedly present in Shevchuk’s works—is central to this particular novella. My analysis of this topic relies on such Jungian notions as the archetype, the conscious and unconscious psyche, and individuation. I further argue, that like Shevchuk’s other works, his Hunchback Zoya endorses implicit post-colonial arguments, inviting parallels between the characters’ and the nation’s individuation. On this level the novella suggests that modern Ukraine is capable of reintegratiing its cultural and spiritual heritage and restoring its national selfhood.

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