Abstract
, Octavio Paz, literatura y literalidad, in Traduccion: Iiteratura y literalidad (Barcelona: Tusquets, 1971), pp. 7-21. An English translation of this essay (Translation: Literature and Literality) by Lynn Tuttle appeared in Translation Review, No.3 (1979), pp. 13·19. 2George Steiner, After Babel (New York: Oxford University Press, 1975) and Serge Gavronsky, Translator: From Piety to Cannibalism, Sub-Stance, No. 16 (1977), pp. 53-62. 3Jorge Luis Borges, Pierre Menard, Author of Quixote, trans. James E. Irby in Labyrinths. Selected Stories and Other Writings, ed. Donald A. Yates and James E. Irby (New York: New Directions, 1975), pp.36-44. 4Marilyn Gaddis Rose, Entropy and Redundancy in Decadent Style: Villiers de L'lsle-Adam, Sub·Stance, No. 16 (1977), pp. 144-148. 5John Felstiner, Translating Pablo Neruda's 'Galope m uerto, PMLA, 93, 2 (March 1978), 185-195. 6Rainer Schulte, Act of Translation: From Interpretation to Interdisciplinary Thinking, Translation Review, NO.4 (1979), pp. 3-8. Schulte's suggestions for translation as re-vitalized critical reading complement very well Roger Shattuck's recent call for a reexamination of the relations between criticism and its host, literature. See How to Rescue The New YorkReview of Books, (17 April 1980), pp. 29-35. 70ctavio Armand, Piet menos mia, Special number of magazine Escolios (Los Angeles: California State University, 1976), p. 9. BRamon del Valle-lnclan, La lampara maravillosa (Buenos Aires: Espasa-Calpe, 1948), pp. 129-30. 9Ernst Robert Curtius, European Uterature and Latin Middle Ages, trans. Williard Trask (1953; rpt, New York: Harper Torchbooks, 1963), pp. 345-346 and Carol Maier, Concept of Language in La lampara maravillosa, in Waiting for Pegasus. Studies of Presence of Symbolism and Decadence in Hispanic Letters, ed. Roland Grass and William R. Risley (Macomb, Illinois: Essays in Literature, 1979), pp. 77-87.
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