Abstract

This article examines how Flemish film policy actors and industry stakeholders have conceptualized, framed and operationalized cultural diversity and inclusion over the past two decades (2002–2022). Drawing on critical discourse and interpretive policy analysis of policy documents and a series of in-depth expert interviews, we investigate how discourses of diversity in cultural policymaking are consistently shaped by (neo-)liberal continuations of deregulation, state neutrality and marketization. This article identifies three discursive shifts over the years, highlighting their complex tensions with the persistent, liberal-egalitarian principle of difference-blind universalism. Framing these tensions as a major obstacle in achieving a paradigmatic policy shift toward the inclusion of ethnic/diasporic minorities in Flemish cinema, we advance a more comprehensive way of understanding why media diversity policies have, so far, proven inadequate.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.