Abstract
This study explores a unique poetic narrative from two perspectives: a sociolinguistic point of view within the framework of functional discourse analysis and a literary critique through the prism of Indian philosophic ideas in the text. The research method is based on juxtaposing a social-semiotic interpretation and a literary commentary. Firstly, the article applies the Hallidayan model of the dimensions of discourse – field, tenor and mode – to an excerpt from Yeats's poetic drama, as the context of situation. Secondly, the article identifies specific Indian philosophic concepts in the text and establishes how they influence the structure of dramatic verse and the characterization of protagonists. The discussion reveals the extent of complementarity and tension between the two approaches and how they change the reading of the text when open to disparate disciplinary perspectives. Final results signify the potential and applicability of the analytical categories to research across diverse discourses.
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