Abstract
Directions of concertmaster activity of Oleksandr Nazarenko
Highlights
Nazarenko strived for performing activity, and he chose the direction of creative work as a soloist-accordionist of the Kharkiv Regional Philharmonic (1962–1967), where together with solo performances he began professional concertmaster activity, 248 2020 ■ Вип. 57 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти working in various genres
The concertmaster activity of a whole generation of accordionists reached a qualitatively new professional level, and the profession of accompanist became popular among the younger generations working in this complex performance format. ● Key words: accordion performance, performing skill, genre, concertmaster activity, professionalism, creativity
Заслужений діяч мистецтв УкраїниНеза, становлення та кращі імена: навчальний посібник
Summary
This article is about the instrumental work of a accordionist, which is an organic component of the activities of art institutions. The purpose of the article is to comprehensively research the process of evolution of the concertmaster’s activity of the famous Kharkiv accordionist Oleksandr Nazarenko. O. Nazarenko strived for performing activity, and he chose the direction of creative work as a soloist-accordionist of the Kharkiv Regional Philharmonic (1962–1967), where together with solo performances he began professional concertmaster activity, 248 2020 ■ Вип. Nazarenko paid much attention to the technique of reading from a sheet of works for piano, studied professional accompaniment to soloists, gained experience in concertmaster’s work to learn the new repertoire with artists. Nazarenko performed with more than a hundred soloists-vocalists of academic (bass, baritone, soprano, mezzo-soprano) and folk singing, as well as with numerous instrumentalists
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