Abstract
The bulk of contemporary policy concern in the cultural area is focussed on the nature of government assistance. In particular, there is a growing feeling that indirect assistance to cultural industries should be promoted to a greater extent than it has been in the past. This feeling reflects both the view that real levels of direct government grants may not be sustainable and the presumption that indirect forms of assistance (such as tax concessions and the like) can channel aid to artists more efficiently than direct forms of assistance, such as Canada Council grants to arts organizations.
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