Abstract

In multichannel sound reproduction systems, the perceived virtual auditory scene is strongly influenced by inter-channel phase-shifts and the degree of mutual coherence among channel signals. Such degrees of freedom may be employed to effect an expanded virtual sound stage or a sense of spaciousness, but they also may lead to unwanted spectral coloration, diffuse or ambiguous virtual source locations, or startling and disorienting spatial image perceptions often described as “phaseyness.” Such effects may be described and understood in terms of the acoustic velocity in the vicinity of the listener. In this work we present theoretical predictions of the acoustic velocity vector for a stereo reproduction system with channel signals of varying phase and levels of mutual coherence, and we report direct measurements of the acoustic velocity vector employing a 3D sound intensity probe for several specific cases. Acoustic velocity vector predictions and measurements also are correlated with listener perceptions. The presented measurements are also compared to subjective localization of sound sources. The direct measurement of the acoustic velocity vector in spatial sound reproduction systems is a useful tool to quantitatively evaluate the performance of multi-channel spatial audio reproduction systems, to predict listener perceptions of the acoustic field reproduced by such systems, and to investigate the impact of early reflections in a room on localization.

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