Dipping into the Well: Scottish Oral Tradition Online

Abstract

Scotland has a long history of collecting material from its oral traditions as illustrated by the various manuscripts and publications of songs, tales, and verse that have appeared from the sixteenth century onwards in the languages of Gaelic, Scots, and English. For a small country, Scotland’s influence has stretched widely, particularly from the 1760s onwards with the publication of MacPherson’s Ossian, a literary creation in English drawing on oral tradition from Gaelic-speaking Badenoch. The text was seminal to the European Romantic movement and the antiquarianism of that and the following centuries, and there has been much debate as to its “authenticity,” which continues even to the present day. Collectors in Scotland have come from all walks of life, from aristocrats and landed gentry such as Lady Evelyn Stewart Murray (1868-1940), sister of the Duke of Atholl, who collected Gaelic tales from people working on the family estate in Perthshire, 1 to those born into much poorer circumstances such as Robert Burns (1759-1796), son of a tenant farmer, who collected material for the Scots Musical Museum (1787-1803), songs and airs that attracted the interest of composers such as Haydn and Beethoven. Most of the collectors, though, appear to have been from the “professional” classes, principally teachers and preachers. They were literate and therefore able to create texts of the oral material, and their roles gave them access as “insider-outsiders” to the communities in which they were located. Verse and song were the primary interests in the early period, and in Gaelic these are virtually interchangeable. But by the nineteenth century the field had opened up, and tales, customs, and beliefs began to feature more strongly. During this century there was also a growing awareness of presentation and the uses to which the material could be put. Whose account was presented? John Francis Campbell of Islay (1822-1885), who collected Gaelic tales, was a strong advocate of verbatim transcription and publication. In his introduction to Popular Tales of the West Highlands, in which he discusses the new science of “storyology,” he indicates