Abstract

In a manner almost reminiscent of the Ottoman Empire’s frantic search (late nineteenth to early twentieth century) for müstemlekat (colonies) in Africa, modern Turkey seems to have revived its imperialist dreams in contemporary Africa. Following the elaboration of a proactive African foreign policy strategy, Turkey declared 2005 the Year of Africa, and established diplomatic relations with a raft of Muslim-majority African countries (MMACs). While Ghana is not an MMAC, Turkey re-established diplomatic ties with Accra in 2010, heralding a burgeoning relationship. Drawing on the theory of sub-­imperialism in tandem with the diplomacy of architecture (DoA) framework, this work will argue that Turkey has cleverly utilised the symbolism and siting of the Ghana National Mosque Complex (GNMC) to make the most visible and audacious broadcast yet of its imperial intentions in Africa, and in record time. In unpacking the argument my primary interest will be to canvass the view that architectural imprints have become a powerful cultural weapon in the geostrategic soft-power arsenal of recent rising powers.

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