Abstract
This Nietzschean reading of Hamlet will provide clarification of what Nietzsche meant in The Birth of Tragedy by such concepts as the Dionysian man and metaphysical comfort, and why and how the performance of tragedy, and the presence of music in and around such a performance, is central—in fact, is necessary—to the transition from Dionysian despair to metaphysical comfort. My application of Nietzsche to Hamlet, then, will illuminate both Hamlet and The Birth of Tragedy.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
