Dinosaurs Become Birds: Changing Cultural Values in Cape Town Theatre

Abstract

This article examines a significant change in the hierarchies of value in cultural production in urban Cape Town, where there has been a bifurcation of theatre in the urban centre and on the township periphery. Theatre at these two sites differs in aesthetic character, themes and infrastructural resources, which derive from a history of legislated racial separatism that is still evident today socially, culturally, educationally and in the development of the city itself. Here, I identify changes that have come about in recent years not so much because of the government's policy of redress, but because leading artists are using their pre-eminence and institutions to catalyse educational experiences, performance platforms and a positive marketing environment for theatre and artists from the townships. The Baxter Theatre and its Zabalaza Festival serve as a case study.