Abstract

This study offers the first systematic analysis of sound bites and image bites across countries and across time. It goes beyond traditional sound bite research by extending the scope of analysis also to visuals and by analyzing both sound and image bites not only with regard to their length but also with regard to their content and editorial packaging. Based on these findings, contours of three different political news cultures emerge: a strongly interventionist U.S. American approach, a moderately interventionist Anglo-German approach, and a noninterventionist French approach. Adopting an explicitly cross-national comparative perspective, the study introduces a theoretical model that explains sound bite news in divergent media systems and links it to the concept of media culture. It derives seven hypotheses from the model and tests them on three levels of analysis—organizational, national, and transnational. Despite a growing transnational convergence, multivariate data analysis shows evidence of the enduring importance that national parameters continue to exert. Conclusions for comparative political communication research are drawn.

Full Text
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