Abstract
The relationship between natural and artistic aesthetics has not always been easy. Neither have the correlations between art and nature been independent from the contextualising filter that is human cultural history and its corresponding scientific developments. Approaching the subject requires studying the transition between the rights of the natural environment and its unstoppable conversion into nature-product over time. It will be necessary to reflect upon a number of dichotomies: aesthetic and natural objects; representation and expression; nature as an available reality and nature as a given reality; natural environment and artificial environment. These conceptual and functional hinges may provide us with a better understanding of the different historical moments that have articulated the dialogues between art and nature.
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