Abstract

An approach to the representation and documentation of craft processes is proposed. The proposed approach is a method for the systematic identification and digital representation of pertinent data, information, and knowledge. The outcome representation is compatible with contemporary digitisation practices and digital preservation standards. The implementation of the approach is provided within the context of an online platform that is accompanied by auxiliary tools for digital curation. This platform is a multiple user system, where craft representations can be collaboratively authored, shared, displayed, and digitally preserved in standardised formats. Basic uses of this scheme and presentational applications are provided, along with identification of future work and limitations.

Highlights

  • Handicrafts, traditional, or Śheritage craftsŠ [44] are an integral part of Cultural Heritage [51], which is in many cases endangered due to the Śdeclining number of practitioners and apprenticesŠ [103]

  • 2 BACKGROUND 2.1 Preservation of crats as Cultural Heritage UNESCOŠs recognition of traditional crafts as ICH [103] and support in the creation of national inventories [104], generated awareness and compliance of craft descriptions according to scientiĄc and ethical guidelines

  • If transitions were modelled as relations between steps, properties with arity greater than 2 would be required; but such are not admitted in semantic modelling, in general, and Semantic Web languages, in particular

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Summary

INTRODUCTION

Handicrafts, traditional, or Śheritage craftsŠ [44] are an integral part of Cultural Heritage [51], which is in many cases endangered due to the Śdeclining number of practitioners and apprenticesŠ [103]. We use the term ŚdigitisationŠ in the ampler sense that considers the digital representation, or digitisation, of a craft as composed of both signal and semantic content This digitisation is implemented by a semantic model that associates the recording of actions in a 1-1 correspondence with their interpretations. CH, Cultural Heritage; CIDOC, International Committee for Documentation (Comité International pour la documentation); CIDOC-CRM, CIDOC Conceptual Reference Model [21]; EDM, Europeana Data Model, [23]; FRBRoo, Functional Requirements for Bibliographic Recordsobject oriented; HTML, Hypertext Markup Language; HTTP, Hypertext Transfer Protocol; IMU, Inertial Measurement Unit; ICCROM, International Centre for the Study of the Preservation and Restoration of Cultural roperty; ICOM, International Council of Museums; ICH, Intangible Cultural Heritage; IPR, Intellectual Property Rights; IRI, Internationalised Resource IdentiĄer; Digitisation of traditional crat processes 3.

BACKGROUND
Prior work
THE PROPOSED APPROACH
Crat understanding
Data collection
Process schema representation
Process representation
IMPLEMENTATION
APPLICATIONS
CONCLUSION AND FUTURE WORK
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