Abstract

Digital Storytelling is one of the most recurrent art media used today to give a voice to invisible, silenced or marginalised groups. In this way, this methodology is framed within the cultural and educational sphere, and through a narrative approach it is capable of integrating multi-format resources that project information and stories of great richness from a hypermedia language. In fact, digital storytelling is occupying a priority role in identity studies in education. In this paper, we present a systematic review of the literature on digital storytelling in education. The methodological process was based on the PRISMA protocol. The results offer a qualitative and bibliographical synthesis of educational studies focused on digital storytelling. Firstly, there is a growing interest in the development of lines of research that focus on digital storytelling as a privileged vehicle for exploring digital stories. This is based on the premise of giving voice to the voiceless, a priority aspect in cultural, educational and social research. For this reason, throughout the systematic review we explored different research that decided to study these discourses from a democratic and participatory approach. Finally, we encourage future research to explore this new resource further.

Highlights

  • Digital storytelling has emerged as a powerful tool in recent years for research in social and educational settings (Jager et al 2017; Robin 2008)

  • We present a systematic review of the literature on digital storytelling in education

  • The results offer a qualitative and bibliographical synthesis of educational studies focused on digital storytelling

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Summary

Introduction

Digital storytelling has emerged as a powerful tool in recent years for research in social and educational settings (Jager et al 2017; Robin 2008). As some authors (Cunsolo, Harper and Edge 2012) argue, digital storytelling is a processual method of illustrating personal narratives and stories using different digital media. In this sense, Digital Storytelling (DST, hereinafter) allows us, through the use of technology, to enter into the depths of the person, in the social and qualitative sense so necessary and sometimes forgotten. There are records of their use in the United States as early as the 1970s and 1980s, betting on the power of the personal voice to bring about social change (Center for Digital Storytelling 2005)

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