Abstract
Mobile phones and tablets have become important platforms for reading, but literary works migrating to online archives do not now incorporate responsive design for these platforms because the digital humanities relies on theoretical models for display based on desktop monitors and multiple browser windows. Documentary online editions of medieval texts such as the Book of Margery Kempe demand features that interact with layers of annotation and multiple witnesses. Small screens and new editorial strategies can offer these elements in transparent layers that return text display to a unitary page and a unified reading experience.
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