Abstract
AbstractOver the course of the last two years, ScanLAB Projects have explored various fragments of the natural and man‐made world through the eyes of their forensic measuring machine. From surface mapping of Arctic ice floes in the Fram Strait (gateway to the Arctic) to the documentation of torture and detention sites in the Balkans, via the accidental editing of a Richard Long sculpture, to purposeful acts of detail theft from Foster and Wren. Here, Matthew Shaw and William Trossell discuss the capture, analysis and refabrication of their digital architectural doppelgängers.
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