Abstract
This article explores the ‘ontological rift’ between the digital and the material archive of political broadside ballads. It outlines the ways in which the ballad’s original diversity has been eroded and homogenised by multiple processes of remediation, including digitisation over time, and investigates the limitations of digitisation projects in delivering the multifarious and widely scattered broadside ballad archive online. Finally, it considers how far digitisation projects have unintentionally ‘concretised’ not only older interpretive practices in relation to the ballad as genre, but also outdated narratives regarding the ballad’s place in the news networks and political culture of seventeenth-century England.
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