Abstract

Architecture as a multirelated field is influenced and connected by many subjects. Among those subjects, the role of art and natural science is the most dominant frame without ignoring the development of advanced technology. By using technology, the impossible becomes possible such as to capture the body motion of humans as the subject of art and science at the same time. Body motion is a potential research of movement over the time. This does not only involve the aesthetic, but also even more the scientific aspect of a dynamic motion of an organism that can be investigated through a biomimetic approach. In order to understand the biomimetic term, we investigated the physical morphogenesis and geometrical principle of an organism. The term morphogenesis is a process in which the natural system produces and regulates the configuration of a material in space and over time. Based on that, we tried to design a dynamic structure using butterfly’s motion as a subject of study with morphological and biomimetic approaches. Butterflies show a simultaneous aspect of movement over time characterized by fragmentation. This idea also summarizes many aspects of modern art such as portrayal of body movements by futurists, space-time continuum, cinematic freeze frame, and time-lapse photography. A futurist represents a movement that is emphasized on the factors of speed, technology, modernisms, and objects. This indicates an alternative position that may be relevant to the system of butterfly wings. This can only be achieved by utilizing a digital design and its parametric tools that help generate functions and form dynamic structures with high complexity and precision. Throughout the development of the system, there will be many changes to the form which will be constantly tested and evaluated using a series of prototype and visual digital design.

Highlights

  • Over the last 50 years, design and architecture have grown rapidly to different phases and tried to break down their defined boundaries and started to integrate with other disciplines

  • Dynamic motion can be seen from the artwork of cubists, where a story is formed by the movement of images with a painting. e overall transformations and positions are highly dependent on the physical motion of the body when one or more variables are changed within a given time frame

  • When looking at architectural biomimetics made through digital design for Futurism, it connects traditional art and new expressive science that allows us to analyze diversity and simulate the processes that occur in nature through complex patterns of behavior that change from time to time

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Summary

Introduction

Over the last 50 years, design and architecture have grown rapidly (and will continue to grow) to different phases and tried to break down their defined boundaries and started to integrate with other disciplines. E implementation of collaborative work was successful in generating a multidisciplinary attitude as well as achieving a new awareness of current technological advances In this case, collaborative works discuss the potential partnerships between architects and artists in the creative interplay of Futurism and Dynamism. E same components can be configured differently to produce endless transformable structures depending on their positions and interconnections in space, and these can operate in two or three dimensions that form many possible shapes. Movement in this context refers to the physical motion of the organism. The dynamic structure involves consideration of abstract and qualitative issues concerning the awareness of technology, spatial experiences, and social engagements

Technology in Science and Art
When Science and Art Becomes One
Produced curve in xy plane
Part X Figure 14
Conclusion
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